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The "sash" or "girdle" worn by the High Priest was of fine linen with "embroidered work" in blue, purple and scarlet (Exodus 28:39, 39:29); those worn by the priests were of white, twined linen. The sash should not be confused with the embroidered belt of the ephod.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Cassock and gown were worn as an outdoor dress until the beginning of the nineteenth century, with the Canterbury cap being replaced by the mortarboard or tri-corn hat latterly. Increasingly, though, ordinary men's clothing in black, worn with a white shirt and either a black or white cravat, replaced the dress prescribed by the Canons. [10]
The ruffled long-sleeved white shirt remained the only constant throughout the period, although less of it was seen with the advent of the waistcoat. During the early to mid-1650s, a rather small falling collar was in fashion. This increased in size and encompassed much of the shoulders by 1660.
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