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[200] The riverboatman's cry was "mark twain" or, more fully, "by the mark twain", meaning "according to the mark [on the line], [the depth is] two [fathoms]"; that is, "The water is 12 feet (3.7 m) deep and it is safe to pass." Twain said that his famous pen name was not entirely his invention. In Life on the Mississippi, Twain wrote:
"To the Person Sitting in Darkness" is an essay by American author Mark Twain published in the North American Review in February 1901. It is a satire exposing imperialism as revealed in the Boxer Uprising and its aftermath, the Boer War, and the Philippine–American War, expressing Twain's anti-imperialist views.
Israeli scholar Bennet Kravitz states that one could just as easily hate Jews for the reasons Twain gives for admiring them. In fact, Twain's essay was cited by Nazi sympathizers in the 1930s. Kravitz concludes, "The flawed logic of 'Concerning the Jews' and all philo-Semitism leads to the anti-Semitic beliefs that the latter seeks to deflate". [5]
Letters from the Earth is a posthumously published work of American author Mark Twain (1835–1910) collated by Bernard DeVoto. [2] [1] It comprises essays written during a difficult time in Twain's life (1904–1909), when he was deeply in debt and had recently lost his wife and one of his daughters. [3]
In this chapter, Twain recounts having his word discounted since he was young. Somewhere between the ages of 7 and 12, he believes his mother learned the art of interpreting his stories. Twain quotes her by saying, "I discount him thirty percent for embroidery, and what is left is perfect and priceless truth, without a flaw in it anywhere."
The 1983 comedy film, Trading Places, features elements from both the short story and Twain's novel, The Prince and the Pauper The 1994 comedy A Million to Juan starring Paul Rodriguez The 2011 BBC Radio 4 adaptation The Million Pound Bank Note , starred Trevor White as Henry Adams
King Leopold's Soliloquy is a 1905 pamphlet by American author Mark Twain. [1] Its subject is King Leopold's rule over the Congo Free State. A work of political satire harshly condemnatory of his actions, it ostensibly recounts a fictional monologue of Leopold II speaking in his own defense.
John Alberti quotes Shelley Fisher Fishkin, who writes in her 1990s book Was Huck Black?: Mark Twain and African-American Voices, "by limiting their field of inquiry to the periphery, [white scholars] have missed the ways in which African-American voices shaped Twain's creative imagination at its core." It is suggested that the character of ...
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