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At the time of its release, the staff at Variety magazine panned the film: "Despite a sextet of name players, Ruthless is a victim of clichéd and outmoded direction and of weary dialog to which no actor could do justice.
Columbia Pictures (CST Entertainment Imaging, Inc.) [440] The Man Who Came to Dinner: 1942: 1988: Turner Entertainment [441] The Man with Nine Lives: 1940: 1994: Columbia Pictures (CST Entertainment Imaging, Inc.) [442] Manhattan Melodrama: 1934: 1990: Turner Entertainment [443] Mark of the Vampire: 1935: 1993: Turner Entertainment [444] [445 ...
Natural horror is a subgenre of horror films that features natural forces, [1] typically in the form of animals or plants, that pose a threat to human characters.. Though killer animals in film have existed since the release of The Lost World in 1925, [2] two of the first motion pictures to garner mainstream success with a "nature run amok" premise were The Birds, directed by Alfred Hitchcock ...
The Monster That Challenged the World is a 1957 black-and-white science-fiction monster film from Gramercy Pictures, [a] produced by Arthur Gardner, Jules V. Levy, and Arnold Laven (who also directed), and starring Tim Holt and Audrey Dalton. [1] The film was distributed by United Artists as the top half of a double feature with The Vampire.
The second lion, Telly, appeared on color MGM movies between 1928 and 1932. [9] An extended version of the logo featuring Telly appears at the beginning of the film The Viking (1928), featuring the lion having the same roar as Jackie. In current prints of The Mysterious Island (1929), Telly appears in black and white because the color version ...
Numerous black-and-white scenes Natural Born Killers: 1994: Flashbacks are black-and-white Kill Bill: Volume 1: 2003: Kill Bill: Volume 2: 2004: Casino Royale: 2006: Oz the Great and Powerful: 2013: First 20 minutes are black-and-white The French Dispatch: 2021: Numerous black-and-white scenes Thor: Love and Thunder: 2022: Fight scene between ...
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A photographer and his daughter arrive in Africa hoping to capture the local wildlife on film. Instead, they encounter (and never end up photographing) a killer leopard, a swarm of locusts, deadly lion worshippers, and Bomba the Jungle Boy. Bomba was raised by an aged naturalist, Cody Casson (since deceased). He now lives beyond the Great Rift.