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In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorder, vice, phobia, prejudice, or deficiency present in a character who may be otherwise very functional. The flaw can be a problem that directly affects the character's actions and abilities, such as a ...
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Tragic hero: A hero with a flaw, mistake, or misconception that leads to their eventual death and downfall. Historically, they were the main character in a Greek or Roman tragedy. The flaw often arises due to the character's hubris. Despite the character's flaw, the audience usually finds them to be admirable or appealing at a broader level ...
The movie is a musical, for crying out loud — a genre the studio deems so unpopular that they went out of their way to conceal in the marketing campaigns for “The Color Purple” and “Wonka ...
“His tragic flaw is he doesn’t feel worthy of love,” Goldstein told the outlet. “He doesn’t think he deserves to be happy or deserves to be loved. He’s self destructive and he’s ...
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending. Although Aristotle says that catharsis (purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil ...
Example: Agamemnon (play) Falling prey to cruelty/misfortune. an unfortunate; a master or a misfortune; The unfortunate suffers from misfortune and/or at the hands of the master. Example: Job (biblical figure) Revolt. a tyrant; a conspirator; The tyrant, a cruel power, is plotted against by the conspirator. Example: Julius Caesar (play) Daring ...