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Mogu (Chinese: 沒骨) is a painting skill or technique in traditional Chinese painting. It literally means "boneless". [1] In these paintings, forms are made by ink and color washes rather than by outlines. [1]
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
The cheetah, once widespread across Africa, Asia, and parts of Europe, is now confined to a few remote regions due to human encroachment and hunting, with five subspecies distinguished mainly by ...
Chinese pigments (Chinese: 中國國畫傳統顏料) are the traditional medium to execute traditional Chinese brush paintings, besides ink. Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk ...
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Wuxing painting is a style of Chinese painting that draws inspiration from the philosophical concept of the "five phases/elements" . Specifically, it combines the use of Chinese freehand brush work techniques and the metaphysics of the five wuxing elements. [ 1 ]
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
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