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Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting". [ 4 ] [ 6 ] When Chinese painters work on shan shui painting, they do not try to present an image of what they have seen in the nature, but what they ...
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Old Trees, Level Distance (Traditional Chinese: 樹色平遠圖; Pinyin: Shù sè píng yuǎn tú) is a Song dynasty handscroll on silk painting by Guo Xi.Completed in 1080, it is also a considered a prominent example of the "Northern Song" style of Chinese landscapes to which this piece has often been studied alongside that of Early Spring, current housed in the National Palace Museum.
Qi Baishi (1 January 1864 – 16 September 1957) was a Chinese painter, noted for the whimsical, often playful style of his works.Born to a peasant family from Xiangtan, Hunan, Qi taught himself to paint, sparked by the Manual of the Mustard Seed Garden.
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of ...
Mogu (Chinese: 沒骨) is a painting skill or technique in traditional Chinese painting. It literally means "boneless". [1] On paintings in the style of mogu, forms are made by ink and color washes rather than by outlines. [1]
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