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Ten Thousand Saints is a 2015 American drama film written and directed by Shari Springer Berman and Robert Pulcini. [4] It is based on the novel of the same name by Eleanor Henderson. The film stars Asa Butterfield as Jude Keffy-Horn, the protagonist of the story. [5] The film premiered at the 2015 Sundance Film Festival on January 23, 2015. [6]
Ten thousand martyrs may refer to the ten thousand martyred Fathers in the Deserts and caves of Scete by Theophilus of Alexandria or to the ten thousand martyrs of Mount Ararat who were, according to a medieval legend, Roman soldiers who, led by Saint Acacius, converted to Christianity and were crucified on Mount Ararat by order of the Roman emperor.
The Ten Thousand Martyrs (c. 1529–1530) by Pontormo. The Ten Thousand Martyrs is an oil on panel painting by Pontormo, executed c. 1529–1530, produced for the monks of Florence's Spedale degli Innocenti and now in the city's Galleria Palatina. [1] It shows the martyrdom of the eponymous martyrs alongside Saint Maurice.
The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria. It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste faciebat Ano Domini 1508 Albertus Dürer Aleman .
Ten thousand martyrs: 4th century Terentian: 2nd century Terenzio of Pesaro: c. 250 Tertius of Iconium: 1st century Thalassius of Syria: 5th century Thamel (martyr) 2nd century Theban Legion: 3rd century Thecla of Iconium: c. 1st century Theoclia: 4th century Theodora (Roman martyr) 2nd century Theodora and Didymus: 3rd or 4th century Theodore ...
His latest vehicle, “In the Land of Saints and Sinners,” arrives with an unusual distinction: Directed by Robert Lorenz, the film premiered in Venice a month before another Neeson …
Tens of thousands of mourners flooded Beirut’s largest stadium, where the ceremony begins, and packed the surrounding streets. A large procession will trail a vehicle carrying the late militant ...
He insisted on selling all his material possessions—he left his younger sister a small amount of money to live her life in a convent, and donated the rest to the poor. [7] When members of the church began finding ways to work with the Roman state, the Desert Fathers saw that as a compromise between "the things of God and the things of Caesar."