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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
It is one of the largest tubes in its class and can handle significantly higher plate voltages than similar tubes, up to 800 volts. A KT88 push-pull pair in class AB1 fixed bias is capable of 100 watts of output with 2.5% total harmonic distortion or up to about 50W at low distortion in hi-fi applications.
In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [18]
Steve Kimock – 50-watt and 100-watt Dumble Overdrive Specials [34] Ben Harper – 3 × Overdrive Specials (50w head + 2×12" Cabinet, 100/50w 1×12" Combo, and a 100/40w Head + matching 1×12" Cabinet); [ 35 ] in March 2016, Harper explained that Dumble had him plug his guitar directly into the oscilloscope so he could note the frequency ...
In a simul-class amp, running all four tubes generates approximately 75 watts RMS of power; running only the class A tubes produces about 15 watts. Also available were non-simul-class Mark IIBs in both a 60 watt version and a 100 watt version that allowed shifting down to 60 watts by turning off a pair of power tubes.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
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