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The first use of "Powerhouse" in a cartoon occurred in the 1943 Warner Bros. Looney Tunes short Porky Pig's Feat, directed by Frank Tashlin. Also in 1943, it was used in the Private Snafu shorts Gripes, Spies, [4] and Rumors. It was subsequently featured in over 40 other Warner Bros. cartoons. [5]
Baby Looney Tunes is an American animated television series depicting toddler versions of several Looney Tunes characters. [1] It was produced by Warner Bros. Animation as its first preschool animated series. [ 2 ]
The tune first appeared in the Merrie Melodies cartoon short Sweet Sioux, released June 26, 1937. [2]Starting with the Looney Tunes cartoon short Rover's Rival released October 9, 1937, an adapted instrumental version of the song's main tune became the staple opening and closing credits theme for the Looney Tunes series, most memorably featuring Porky Pig stuttering "Th-th-th-that's all, folks!"
Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons, by Jerry Beck and Will Friedwald (1989), Henry Holt, ISBN 0-8050-0894-2; Chuck Amuck: The Life and Times of an Animated Cartoonist by Chuck Jones, published by Farrar Straus & Giroux, ISBN 0-374-12348-9; That's Not All, Folks! by Mel Blanc, Philip Bashe.
Carl William Stalling (November 10, 1891 – November 29, 1972) was an American composer, voice actor and arranger for music in animated films. He is most closely associated with the Looney Tunes and Merrie Melodies shorts produced by Warner Bros., where he averaged one complete score each week, for 22 years.
William "Bill" Benjamin Lava (March 18, 1911 – February 20, 1971) was a composer and arranger who composed and conducted music for feature films as well as Warner Bros.' Looney Tunes and Merrie Melodies animated cartoons from 1962 to 1969, replacing the deceased Milt Franklyn, making him the last composer and arranger in the classic era of Warner Bros. Cartoons.
From 1994–2003, it was used by Warner Bros. Television as part of their logo at the end of shows, in reference to the studio's production of Looney Tunes and Merrie Melodies shorts. The song shares a title with the 1934 play Merrily We Roll Along by George S. Kaufman and Moss Hart, but is unrelated to it.
However, he would find new life in the Looney Tunes and Merrie Melodies Comics begun in 1940 by Dell Comics (writer Chase Craig used several minor Warner Bros. characters to fill pages). [4] These comics teamed Sniffles with a little girl named Mary Jane who could shrink herself to mouse size, originally by sprinkling magic sand borrowed from ...
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