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Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
In classical antiquity, the Hellenistic period covers the time in Greek history after Classical Greece, between the death of Alexander the Great in 323 BC and the death of Cleopatra VII in 30 BC, [1] which was followed by the ascendancy of the Roman Empire, as signified by the Battle of Actium in 31 BC and the Roman conquest of Ptolemaic Egypt the following year, which eliminated the last ...
The result, however, was to cover Rome with Hellenistic art, and to attract to the new power several craftsmen, such as Polycles, Sosicles, and Pasitles, who began to create a local school of sculpture, which was founded on the principles of Hellenistic art and was responsible for transmitting to posterity, through copies, a huge amount of ...
The history of art focuses on objects made by humans for any number of spiritual, narrative, ... Classical and Hellenistic. During the Classical period ...
The art of Bactria was almost perfectly Hellenistic as shown by the archaeological remains of Greco-Bactrian cities such as Alexandria on the Oxus , or the numismatic art of the Greco-Bactrian kings, often considered as the best of the Hellenistic world, and including the largest silver and gold coins ever minted by the Greeks.
The Ludovisi Gaul is a Roman copy of the early second century AD, of a Hellenistic original, ca 230–20 BC. The original bronzes may have been commissioned by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia.
The art history of the Hellenic era is generally subdivided into four periods: the Protogeometric (1100–900 BC), the Geometric (900–700 BC), the Archaic (700–500 BC) and the Classical (500–323 BC) [11] with sculpture being further divided into Severe Classical, High Classical and Late Classical. [1]
The writings of Johann Joachim Winckelmann, especially his books Thoughts on the Imitation of Greek Works in Painting and Sculpture (1750) and Geschichte der Kunst des Alterthums ("History of Ancient Art", 1764) were the first to distinguish sharply between ancient Greek, Etruscan, and Roman art, and define periods within Greek art, tracing a ...
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