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The song's title is a reference to the unrelated song "Outside a Broken Phone Booth with Money in My Hand" by Bruce Cockburn, from his 1978 album, Further Adventures Of. [5] [6] Primitive Radio Gods frontman Chris O'Connor stated that he was struggling to name his new song, so he picked up Further Adventures Of and adapted the title "Standing Outside a Broken Phone Booth with Money in My Hand ...
Stephen Thomas Erlewine of Allmusic wrote that the song "rocked as hard as an old Chuck Berry song, as well as being almost as clever." [4] In the book 99 Red Balloons: And 100 All-Time One-Hit Wonders, Brent Mann wrote that "it's just a timeless, kick-out-the-jams rock 'n' roll number.
"Oceans" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music co-written by Vedder, guitarist Stone Gossard, and bassist Jeff Ament, "Oceans" was released in 1992 as the fourth single from the band's debut album, Ten (1991).
James Lloyd Logsdon (April 1, 1922 – October 7, 2001) was an American country and rockabilly singer, songwriter and radio DJ. He performed country music as Jimmie (or Jimmy) Logsdon, and rockabilly music, including his best-known song "I Got a Rocket in My Pocket," as Jimmy Lloyd.
Bird changes: I vii ø –III7 vi–II7 v–I7, IV7 iv– ♭ VII7 iii–VI7 ♭ iii– ♭ VI7, ii V7 I–VI7 ii–V: 20: Major Chromatic descending 5–6 sequence: I–V– ♭ VII–IV: 4: Mix. Circle progression: vi–ii–V–I: 4: Major Coltrane changes: Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar ...
Thus, in the simple chord progression I–ii–V–I, which in the key of C major would be the chords C Major–D minor–G Major–C Major, a musician could replace the I chords with "tonic substitutes". The most widely used substitutes are iii and vi (in a Major key), which in this case would be the chords "E minor" and "A minor".
"I Can Change" is the fourth single by American singer-songwriter Brandon Flowers from his second studio album, The Desired Effect. [3] Background and composition
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major: