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In analytic philosophy, anti-realism is the position that the truth of a statement rests on its demonstrability through internal logic mechanisms, such as the context principle or intuitionistic logic, in direct opposition to the realist notion that the truth of a statement rests on its correspondence to an external, independent reality. [1]
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements.
Anti-realism is the latest in a long series of terms for views opposed to realism. Perhaps the first was idealism , so called because reality was said to be in the mind, or a product of our ideas . Berkeleyan idealism is the view, propounded by the Irish empiricist George Berkeley , that the objects of perception are actually ideas in the mind.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it ...
Realism, a school of thought in international relations theory, is a theoretical framework that views world politics as an enduring competition among self-interested states vying for power and positioning within an anarchic global system devoid of a centralized authority.
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...
Pseudorealism, also spelled pseudo-realism, is a term used in a variety of discourses connoting artistic and dramatic techniques, or work of art, film and literature perceived as superficial, not-real, or non-realistic. [1]
In recent years, however, the term has been revived in an attempt to describe and categorize, in literary and philosophical terms, how it is that the work of an irrealist writer differs from the work of writers in other, non-realistic genres (e.g., the fantasy of J.R.R. Tolkien, the magical realism of Gabriel García Márquez) and what the ...