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My young love said to me, "My mother won’t mind". "And my father won’t slight you, for your lack of kind." And she stepped away from me, and this, she did say: "It will not be long, love, ‘til our wedding day." She stepped away from me, and she moved through the fair. And, fondly, I watched her move here and move there.
During the 2020-21 COVID-19 pandemic, Orchestra's members unable to tour due to the lockdowns and separated in their various homes released 13 music videos as a group on YouTube, called the Ukulele Lockdown series (these were collected together and released as the virtual opening concert for the 2021 San Francisco Performances PIVOT Festival ...
Another common tuning for the soprano ukulele is the higher string-tension D 6 tuning (or simply D tuning), A 4 –D 4 –F ♯ 4 –B 4, one step higher than the G 4 –C 4 –E 4 –A 4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music ...
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
As a child, Hill benefited from a ukulele instructional program created by J. Chalmers Doane as shared in Teacher's Guide to Classroom Ukulele, 1977. The British Columbia school used Doane's system to teach music, and as a result, the Langley Ukulele Ensemble came into existence.
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor. He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
"You've Just Stepped In (From Stepping Out on Me)" is a song written by Don Trowbridge that was recorded by American country music artist Loretta Lynn. It was released as a single in June 1968 via Decca Records .
Jon Dolan of Rolling Stone called the song "a big, goofy, stomp-along pop-metal anthem". [14] Jason Lipshutz of Billboard described the song as "a natural evolution of the Fall Out Boy sound," adding also that the song is "muscular in scope and jittery in practice, with rolling chants cresting above Stump's nervous energy."
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