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Pippin Drysdale (born 18 May 1943) is an Australian ceramic artist and art teacher. She is regarded as the foremost interpreter of the Australian landscape in the field of ceramics. Her works are known for their intensity of colour and linear markings that interpret the artist's relationship with the Australian landscape. [1]
A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Bernard Rooke (born 1938) [1] is a British artist and studio potter. [2] [3] Rooke has exhibited his "Brutalist" ceramics [4] and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Paisley Museum and Art Galleries, Leicester Museum, Buckinghamshire County Museum ...
Simon was born in Springfield, Minnesota in 1947. [citation needed] He studied under Warren McKenzie while pursuing his B.F.A. at the University of Minnesota, and would later credit not only McKenzie's influence in his work, but also the influence of McKenzie's mentors, the noted ceramic artists Bernard Leach (UK) and Shoji Hamada (Japan).
Mary Alice Hadley (October 5, 1911 – December 26, 1965) was an American artist from Terre Haute, Indiana, known for her earthenware pottery pieces with hand-painted images of farm and coastal life, which were sold by Hadley Pottery.
Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.
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It included exhibitions of British pottery and textiles since 1920, Mexican folk art, and works by conference participants, among them Shoji Hamada and US-based Bauhaus potter Marguerite Wildenhain. Another important contributor was Japanese aesthetician Soetsu Yanagi, author of The Unknown Craftsman. According to Brent Johnson, "The most ...