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Chigiri-e (ちぎり絵) is a Japanese art form in which the primary technique uses coloured paper that is torn to create images, and may resemble a water colour painting. The technique dates from the Heian period of Japanese history when it was often used in conjunction with calligraphy. Handmade paper is essential for the creation of chigiri ...
The way paper texture effects become relatively more pronounced as negative size decreases can be demonstrated with a digital camera by photographing a sheet of paper lit from behind, first at a distance where the sheet just overfills the field of view, and then at a closer distance where the field of view is perhaps one third as wide.
Tracing paper is paper made to have low opacity, allowing light to pass through. Its origins date back to at least the 1300s, when it was used by artists of the Italian Renaissance. [ 1 ] In the 1880s, tracing paper was produced en masse, used by architects, design engineers, and artists. [ 2 ]
Paper vellum has also become extremely important in hand or chemical reproduction technology for dissemination of plan copies. Like a high-quality traditional vellum, paper vellum could be produced thin enough to be virtually transparent to strong light, enabling a source drawing to be used directly in the reproduction of field-used drawings.
The usual result is a negative shadow image that shows variations in tone that depends upon the transparency of the objects used. Areas of the paper that have received no light appear white; those exposed for a shorter time or through transparent or semi-transparent objects appear grey, [1] while fully-exposed areas are black in the final print.
Philatelically, stamp paper can be partitioned into a few large groups. The first that is typically encountered in the stamp catalogs describes the texture of the paper, such as wove or laid. Many stamps have been printed with these different paper textures. Other groups can be formed as: Colored paper, safety or security paper and coated paper.
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Shoji paper cannot be used in places where it will get wet, like a bathroom; even laminated paper will be affected, as water bleeds in from the edges. [ 59 ] Traditionally, abura-shōji ( 油障子 : "oil-shoji"), also called ama-shōji ( 雨障子 : "rain-shoji"), used paper (generally nishi-no-uchigami , 西の内紙 ) that was glued on with ...