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A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line. A line missing two syllables is called brachycatalectic. A line with an additional syllable is called ...
A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a stressed syllable; "feminine ending" is its opposite, describing a line ending in a stressless syllable. The terms originate from a grammatical pattern of the French language.
[1] End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
The first syllable of a word is the initial syllable and the last syllable is the final syllable. In languages accented on one of the last three syllables, the last syllable is called the ultima , the next-to-last is called the penult , and the third syllable from the end is called the antepenult.
The eleven-syllable line is normally a line of 5+6 syllables with medial caesura, primary stresses on the fourth and tenth syllables, and feminine endings on both half-lines. [14] Although the form can accommodate a fully iambic line, there is no such tendency in practice, word stresses falling variously on any of the initial syllables of each ...
In the linguistic study of written languages, a syllabary is a set of written symbols that represent the syllables or (more frequently) morae which make up words.. A symbol in a syllabary, called a syllabogram, typically represents an (optional) consonant sound (simple onset) followed by a vowel sound ()—that is, a CV (consonant+vowel) or V syllable—but other phonographic mappings, such as ...
("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.) In modern English poetry, it refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; iambic tetrameter is a line comprising four iambs, defined by accent. The scheme is thus:
Accentual-syllabic verse dominated literary poetry in English from Chaucer's day until the 19th century, when the freer approach to meter championed by poets such as Samuel Taylor Coleridge and Ralph Waldo Emerson and the radically experimental verse of Gerard Manley Hopkins and Walt Whitman began to challenge its dominance. [1]