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Maze chronology; Live in New Orleans (1981) We Are One (1983) Can't Stop the Love ... "Love Is the Key" 80 5 88 "Never Let You Down" — 26 — "We Are One" — 47 86
He originally offered it for the Our World broadcast, but the Beatles favoured Lennon's "All You Need Is Love" for its social significance. [79] McCartney later said he wrote the song as a production number for Magical Mystery Tour , [ 80 ] where it provides the film's closing, Busby Berkeley –style dance sequence. [ 81 ]
Maze, also known as Maze Featuring Frankie Beverly and Frankie Beverly & Maze, is an American soul band founded by Frankie Beverly in Philadelphia in 1970. [1] Under its original name Raw Soul, the band moved to San Francisco and was introduced to Marvin Gaye. Gaye took the group on the road with him as one of his opening acts, and in 1976, he ...
John Lennon had felt during his youth that "love had been the answer", and had written "The Word" as his "first expression" of the concept. He had felt that love was an "underlying theme of the universe", and that love was fundamental in many things, which had inspired the lyric "In the good and bad books that I have read". [3]
The song's lyrics are written in the form of a first-person narrative. [16] The singer declares his self-sufficiency, [7] being able to transcend loneliness by retreating into his mind. [17] Rather than having different verses, the lyrics repeat the verse line, serving to emphasize the song's theme. [18]
[28] [nb 4] It is mainly in the key of D major, with a brief modulation to G major in the bridge, and is in common time. [27] According to music scholar Terence J. O'Grady, the "most notable" element of the song's composition is the I–â™VII–IV–V chord progression used in the verses, as the Beatles had never used it before despite it ...
The lyrics explain in a general way the premise of the film: a charabanc mystery tour of the type that was popular in Britain when the Beatles were young. McCartney said that he and Lennon expanded the tour to make it magical, which allowed it to be "a little more surreal than the real ones", [ 3 ] and that the song was "very much in our ...
[4] The actual meaning of the term "Aeolian cadence" is that a major key song resolves on the vi chord, which is the tonic chord of the relative minor key (the Mahler ends on the major tonic with an "added 6th," not on a VI chord.) The term derives from the fact that the Aeolian mode is rooted on the sixth step of the major scale.