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The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...
Viewing the crucifix image as "wholly depressing", the Church, led by Cardinal Glick (George Carlin), decides to retire it, and creates Buddy Christ as a more uplifting image of Jesus Christ. [1] The icon consists of a statue of Jesus, smiling and winking while pointing at onlookers with one hand and giving the thumbs-up sign with the other hand.
Word of Life (often called "Touchdown Jesus") is a mural by American artist Millard Sheets on the side of Hesburgh Library, on the University of Notre Dame campus in Notre Dame, Indiana. The artwork measures 134 feet (41 m) high and 68 feet (21 m) wide.
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
[2] Giordano's work draws deeply on his Catholic faith, [3] and a pictorial working method defined by the theory of modes, a concept that profoundly shaped the poetry and aesthetic concepts of the Seicento period at the end of the Renaissance. These modes are the four canonical painting techniques are Sfumato, Unione, Chiaroscuro and Cangiante.
Christ has both arms drawn a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. [1] The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. [1]
A number of Michelangelo's drawings from the early 1530s develop a Resurrection of Jesus. [23] Vasari, alone among contemporary sources, says that originally Michelangelo intended to paint the other end wall with a Fall of the Rebel Angels to match. [24] By April 1535 the preparation of the wall was begun, but it was over a year before painting ...
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