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The art historian John J. Ciofalo writes that "the victim appears to be an adult and, given the curvaceous buttocks and legs, a female." [11] Moreover, in other versions, the sons are alive and struggling or at least have heads, so the viewer can identify or sympathize. The victim is not struggling in Saturn's vice-like, blood-oozing grip ...
“A Woman Watching Chickens”, Oil on canvas, Wolverhampton Art Gallery [13] “The Blacksmith's Forge”, Oil on canvas, Aberdeen Art Gallery & Museums [14] “Cottage Interior”, Oil on canvas, Bury Art Museum [15] “Harvest Ale”, Oil on canvas, Harris Museum & Art Gallery [16] “A lady knutting”, Oil on canvas, dated 1880, Hull museum.
Inheritance (Norwegian: Arv; 1897–1899) is an oil painting on canvas created by the Norwegian painter Edvard Munch (1863–1944). It depicts a mother with syphilis holding her baby, who is affected by congenital syphilis.
In a traditional pose of mothers and new babies, Augustine is holding her baby upright, supporting the baby's back by her right arm and steadying the baby's midsection with her left hand. Marcelle, whose face is directed outward, is more active and engages the audience. Van Gogh used heavy outlines in blue around the images of mother and baby. [3]
Upon request of the Munch museum in Oslo, which wanted to list the complete works of Munch and needed exact data, [7] the Bremen Art Society [8] let the painting be examined more closely. X-Ray images then led to the discovery that a second canvas of the same format with another painting of Munch was underneath the painting Death and the Child.
The piece consists of several sculptures depicting babies, which are 350 cm long and 260 cm high. [2] Their faces are replaced with bar code stamps. The first baby was presented in 1994 at the Museum of Contemporary Art in Chicago.
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