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More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4] When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied ...
There is no authoritative system of voice classification in non-classical music [1] as classical terms are used to describe not merely various vocal ranges, but specific vocal timbres unique to each range. These timbres are produced by classical training techniques with which most popular singers are not intimately familiar, and which even ...
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In non-classical music, singers are primarily defined by their genre and their gender not their vocal range. [3] When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors ...
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In non-classical music, singers are primarily defined by their genre and their gender not their vocal range. [4] When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors ...
The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C 4) to "high D" (D 6). [1] This is the most common female singing voice. [2] There is a tendency to divide lyric sopranos into two groups: light ...
A type of classical female singing voice whose vocal range is the lowest female voice type Subcategories ... Ann Boleyn (singer) Toni Braxton; Anna de Brémont;