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Télé Monte-Carlo (TMC) internally selected "Un banc, un arbre, une rue" as its entry for the 16th edition of the Eurovision Song Contest. [3]A promo video was release where Séverine sings the song in the empty square of Monte Carlo, first walking to a bench, then sitting down while performing the middle verses, and then ending the song by walking away out of camera focus.
Originally, the song was written with German lyrics as "Dann kamst du" and was submitted to the German Eurovision national selection process. When the song did not qualify for that competition, Yves Dessca, who had co-written the lyrics of the 1971 Eurovision winning song "Un banc, un arbre, une rue", penned French lyrics and the Compagnie Luxembourgeoise de Télédiffusion (CLT) internally ...
The song's composer, Charles Dumont, states in the book Édith Piaf, Opinions publiques, by Bernard Marchois (TF1 Editions 1995), that Michel Vaucaire's original title was "Non, je ne trouverai rien" (No, I will not find anything) and that the song was meant for the French singer Rosalie Dubois. However, thinking of Piaf, he changed the title ...
Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
In colloquial French, un apéritif is usually shortened to un apéro. appellation contrôlée supervised use of a name. For the conventional use of the term, see Appellation d'origine contrôlée appetence 1. A natural craving or desire 2. An attraction or affinity; From French word "Appétence", derived from "Appétit" (Appetite).
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
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Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.