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Anthropomorphic Iron Age wooden cult figures, sometimes called pole gods, have been found at many archaeological sites in Central and Northern Europe. They are generally interpreted as cult images , in some cases presumably depicting deities, sometimes with either a votive or an apotropaic (protective) function.
In total, over 200 such figurines are known; [2] virtually all of modest size, between about 3 and 40 cm (1.2 and 15.7 in) in height. [3] These figurines are recognised as some of the earliest works of prehistoric art. Most have wide hips and legs that taper to a point. Arms and feet are often absent, and the head is usually small and faceless.
It is thought, based on wooden busts recovered from the water-logged El Manati site, that figurines were also carved from wood, but, if so, none have survived. More durable and better known by the general public are those figurines carved, usually with a degree of skill, from jade , serpentine , greenstone , basalt , and other minerals and stones.
The figures inside may be of any gender; the smallest, innermost doll is typically a baby turned from a single piece of wood. Much of the artistry is in the painting of each doll, which can be very elaborate. The dolls often follow a theme; the themes may vary, from fairy tale characters to Soviet leaders.
And suddenly you spot it: a box of Hummels, the collectible figurines that debuted in 1935 based on the illustrations of one Maria Innocentia Hummel, a German nun.
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
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