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The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
Hag ha-Gez or Re´shit ha-Gez was the biblical festival or celebration of the shearing of the sheep.. Hag ha-Gez took place once a year, at the beginning of the spring, once the winter cold was gone.
In this illustration, the true shepherd "enters the sheepfold by the door" and "calls his own sheep by name and leads them out (Greek: ἐξάγει αὐτά)" (John 10:1,3). The alternative way in, taken by the thief or stranger, is to "climb up some other way", i.e. to climb over the wall of the sheepfold. [ 16 ]
[Sethos I] Karnak, Campaign to Yenoam and Lebanon (Year 1 or Later) 254C: Campaigns of Seti I in Asia: Beisan steles: 2.4B [Sethos I] First Beth-Shan Stela, Year 1: 253–254: A Campaign of Seti I in Northern Palestine: 2.4D [Sethos I] Second Beth-Shan Stela, Year Lost: 255: Beth-Shan Stelae of Seti I and Ramses II: Kadesh inscriptions: 2.5A
16. "Commit your work to the Lord, and your plans will be established." — Proverbs 16:3. 17. "But his delight is in the law of the Lord, and on his law he meditates day and night.
16. Lion and Lamb. Often, a lion and lamb tattoo may draw from religious connotations. It can symbolize the juxtaposition of strength and gentleness, unity, or peaceful coexistence.
After the sheep pen had been decorated with green branches and a wreath draped on the gate, the remainder of the ceremony took place in sequence. At the first sign of daylight, the shepherd would purify the sheep: by sweeping the pen and then constructing a bonfire of straw, olive branches, laurel, and sulfur. The noises produced by this ...
Sir Geoffrey Luttrell, mounted, being assisted by his wife and daughter-in-law.Folio 202v. The Luttrell Psalter (British Library, Add MS 42130) is an illuminated psalter commissioned by Sir Geoffrey Luttrell (1276–1345), lord of the manor of Irnham in Lincolnshire, written and illustrated on parchment circa 1320–1340 in England by anonymous scribes and artists.