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In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12]
Strangeways, Here We Come is the fourth and final studio album by the English rock band the Smiths. It was released on 28 September 1987 by Rough Trade Records, several months after the group disbanded. All of the songs were composed by Johnny Marr, with lyrics written and sung by Morrissey.
Failing to find a replacement, the Smiths disbanded by the time of the release of their final studio album, Strangeways, Here We Come, in September that year. Strangeways, Here We Come climbed to number two in the UK and became the band's highest-charting release in the United States when it reached number 55 on the Billboard 200 .
Hatful of Hollow is a compilation album by English rock band the Smiths, released on 2 November 1984 [11] by Rough Trade Records.The album features tracks from BBC Radio 1 sessions, their first single "Hand in Glove" (a different mix of which had been included on their first album) and two new singles and their B-sides.
It should only contain pages that are The Smiths songs or lists of The Smiths songs, as well as subcategories containing those things (themselves set categories). Topics about The Smiths songs in general should be placed in relevant topic categories .
"Ask" is a song recorded by the English rock band the Smiths. It was released as a single on 20 October 1986 through Rough Trade Records. Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an ostensibly upbeat, positive pop song built around major chords. Its lyrics discuss shyness and encourage listeners to overcome their ...
"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. [1]
Rolling Stone ranked the song as the 34th best Smiths song, [9] while NME named it the band's 20th best. [13] Guitar named the song as the band's 17th greatest guitar moment, concluding, "Despite the higher watermarks elsewhere on Strangeways, it's still 'Girlfriend in a Coma' ' s hooky little acoustic earworm that sticks in our grey matter the ...