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Excellent_collection_of_popular_songs_(7).pdf (314 × 529 pixels, file size: 233 KB, MIME type: application/pdf, 8 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Three Études for piano, Op. 104b (1834–1838) No. 1 Étude in B-flat minor; No. 2 Étude in F major; No. 3 Étude in A minor; Album-leaf (Albumblatt) in E minor for piano, Op. 117, "Lied ohne Worte" (1837) Capriccio in E major for piano, Op. 118 (1837) Perpetuum Mobile in C major, Op. 119; 3 Fugues [1] No. 1 Fugue in D minor; No. 2 Fugue in D ...
The Well-Tuned Piano: La Monte Young: 5-6 hours Premiered and recorded by the composer. [14] The History of Photography in Sound: Michael Finnissy: 5½ hours 365 (edition) [15] [16] A3 Premiered and recorded by Ian Pace. [15] [17] Performed by Mark Knoop. [18] Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
The 500 Greatest Songs of All Time" is a recurring song ranking compiled by the American magazine Rolling Stone. It is based on weighted votes from selected musicians, critics, and industry figures. It is based on weighted votes from selected musicians, critics, and industry figures.
Twelve Poems of Emily Dickinson is a song cycle for medium voice, played in piano by the American composer Aaron Copland. Completed in 1950 and lasting for under half an hour only, it represents Copland's longest work for solo voice. [ 1 ]
ProQuest Dissertations and Theses (PQDT) is an online database that indexes, abstracts, and provides full-text access to dissertations and theses. The database includes over 2.4 million records and covers 1637 to the present. [1] [2] It is produced by ProQuest and was formerly known as ProQuest Digital Dissertations.
Due to the piece's popularity and playability, many versions and transcriptions of the Libeslieder Waltzes exist. Opus 52a, for piano duet without voices was published in 1874, with minor additions and intricacies added to the original piano lines. [12] Brahms also published a version for voices with piano solo in 1875. [12]
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