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The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
Three Études for piano, Op. 104b (1834–1838) No. 1 Étude in B-flat minor; No. 2 Étude in F major; No. 3 Étude in A minor; Album-leaf (Albumblatt) in E minor for piano, Op. 117, "Lied ohne Worte" (1837) Capriccio in E major for piano, Op. 118 (1837) Perpetuum Mobile in C major, Op. 119; 3 Fugues [1] No. 1 Fugue in D minor; No. 2 Fugue in D ...
Metaludios (piano) Métopes; Minuet in G (Paderewski) Miscellaneous solo piano compositions (Rachmaninoff) Mists (Xenakis) Moment exotique; Morceaux de fantaisie; Morceaux de salon, Op. 10 (Rachmaninoff) List of solo piano compositions by Wolfgang Amadeus Mozart; Music for Piano (Cage) Music for the Dance No. 2; Music of Changes; Musica ricercata
Trois mélodies (Three Songs) is a 1916 song cycle for voice and piano by Erik Satie. One of Satie's rare excursions in mélodies (French art songs ), it lasts under four minutes in performance. The composer's first English-language biographer, Rollo H. Myers, thought this work contained "the essence of Satie the ironist, the wit, and the ...
In Genre, instrumental pieces are distinguished as orchestral and chamber music, particularly that for piano. The group of stage works contains operas, ballets and incidental music, while film scores are marked separately. Sacred and secular music for voice is divided in choral, for cantatas and motets, and vocal, holding songs and song cycles.
The 500 Greatest Songs of All Time" is a recurring song ranking compiled by the American magazine Rolling Stone. It is based on weighted votes from selected musicians, critics, and industry figures. It is based on weighted votes from selected musicians, critics, and industry figures.
The Quatre petites mélodies (Four Little Songs) is a 1920 song cycle for voice and piano by French composer Erik Satie. It is most notable for its opening lament, Élégie, which Satie composed in memory of his friend Claude Debussy. A typical performance lasts under 4 minutes.
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