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Garza has made Day of the Dead ofrendas, or ritual altars, to honor not just family members, but also people from history. She has made ofrendas for Frida Kahlo, Doña Sebastiana, and Tenochtitlán. [11] She has created eight paintings for the San Francisco Water Department and a sculpture at San Francisco International Airport. [24]
An ofrenda (Spanish: "offering") is the offering placed in a home altar during the annual and traditionally Mexican Día de los Muertos celebration. An ofrenda , which may be quite large and elaborate, is usually created by the family members of a person who has died and is intended to welcome the deceased to the altar setting.
Votive painting dedicated to Our Lady of San Juan de los Lagos 1911 painting; the man survived an attack by a bull.. Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively.
A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally retablo is also the Spanish term for a retable or reredos above an altar , whether a large altarpiece painting or an elaborate wooden structure with sculptures.
Wood and fiber crafts for sale at the municipal market in Pátzcuaro. Dolls made of cartonería from the Miss Lupita project.. Mexican handcrafts and folk art is a complex collection of items made with various materials and fashioned for utilitarian, decorative or other purposes, such as wall hangings, vases, toys and items created for celebrations, festivities and religious rites. [1]
María Izquierdo (born María Cenobia Izquierdo Gutiérrez; October 30, 1902 – December 2, [1] 1955) was a Mexican painter. [2] She is known for being the first Mexican woman to have her artwork exhibited in the United States. [3]
The sugar skulls were originally created as gifts, to be eaten by children. They are sometimes now used as offerings to be placed on altars known as ofrendas ("offerings") for Día de Muertos. It has been argued that the tradition has roots in indigenous celebrations, by groups including the Aztec, Mayan, and Toltec commemorations. [4]
Saturnino Нerran drawing, 1917. On top of being a professor, Herrán was an activist for modern art, a muralist, book illustrator, draughtsman, and stained glass colorist. . While his work had influence from Mexico, Spain, and Catalan it did not fully break away from the traditional European style he was trained to paint in. Herrán, being of mixed descent himself, recognized the multitude of ...
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