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The Trinity (Russian: Троица, romanized: Troitsa, also called The Hospitality of Abraham) is an icon created by Russian painter Andrei Rublev in the early 15th century. [1] It is his most famous work [2] and the most famous of all Russian icons, [3] and it is regarded as one of the highest achievements of Russian art.
Triclavianism is the belief that three nails were used to crucify Jesus Christ.The exact number of the Holy Nails has been a matter of speculation for centuries. [1] Three nails are sometimes depicted as a symbolic reference to the Holy Trinity.
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
Abraham Serving the Three Angels: 1646: Oil on panel: 16 x 21: Private Collection: 208: The Holy Family with Painted Frame and Curtain: 1646: Oil on panel: 46.8 x 68.4: Schloss Wilhelmshöhe, Kassel: 209: Rembrandt or pupil. The painting is covered by a layer of yellowed varnish The Prophetess Anna in the Temple: 1650 or c. 1646: Oil on panel ...
In the painting, the three brothers express their loyalty and solidarity with Rome before battle, wholly supported by their father. These are men willing to lay down their lives out of patriotic duty. With their resolute gaze and taut, outstretched limbs, they are citadels of patriotism. They are symbols of the highest virtues of Rome.
The painting portrays near its center a group of three men and two women sitting around a table situated on the floor of the cabaret. From left to right, the people at the table include: writer Édouard Dujardin , dancer La Macarona, photographer Paul Secau, photographer Maurice Guibert , and, facing away, Jane Avril , being the focal point of ...
Shadrach, Meshach, and Abednego (Hebrew names Hananiah, Mishael, and Azariah) are figures from chapter 3 of the biblical Book of Daniel. In the narrative, the three Jewish men are thrown into a fiery furnace by Nebuchadnezzar II, King of Babylon for refusing to bow to the king's image. The three are preserved from harm and the king sees four ...
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.