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A matte painting is a painted representation of a landscape, ... ISBN 0-8230-8408-6 (Chapter 5 covers the history and techniques of movie matte painting.) Barron, C ...
In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes. In film, the principle of a matte requires masking certain areas of the film emulsion to selectively control which areas are exposed. However, many complex special ...
The integration of the live action lighting and painted lighting effects is said to be the best matte painting achievement in filmmaking history. [1] He was also responsible for the Indiana Jones and the Temple of Doom (1984) Pankot Palace, Cliff and the Village, as well as most Young Sherlock Holmes (1985) matte paintings.
Whitlock was also responsible for the matte paintings in History of the World, Part I, and appeared in the movie as a character hawking used chariots. He also produced background mattes for Brooks earlier film High Anxiety , and appeared in that film in a small role as "noted industrialist Arthur Brisbane."
He first worked in matte painting for producer Alexander Korda on such films as Things to Come (1936), and later on such Powell and Pressburger productions as Black Narcissus (1947) assisting his mentor W. (Walter) Percy Day. A few years later, while still based in Europe, he began to work for Hollywood studios.
The matte painting was then drawn to exactly match the proportion and perspective to the live action shot. The low cost and high quality of Dawn's matte shot made it the mainstay in special effects cinema throughout the century. [2] Dawn patented his invention on 11 June 1918 and sued for infringement of the patent three years later.
Matte (filmmaking), filmmaking and video production technology; Matte painting, a process of creating sets used in film and video; Matte box, a camera accessory for controlling lens glare; Open matte, a filming technique that involves matting out the top and bottom of the film frame in the movie projector
Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson ...