Search results
Results from the WOW.Com Content Network
Cabaret" is a song from the 1966 musical of the same name sung by the character Sally Bowles. It was composed by John Kander with lyrics by Fred Ebb. Background
Cabaret is an American musical with music by John Kander, lyrics by Fred Ebb, and a book by Joe Masteroff.It is based on the 1951 play I Am a Camera by John Van Druten, which in turn was based on the 1939 novel Goodbye to Berlin by Christopher Isherwood.
"Tomorrow Belongs to Me" is a song from the 1966 Broadway musical Cabaret, and the 1972 film of the same name, sung primarily by a Nazi character. It was written and composed by two Jewish musicians – John Kander and Fred Ebb – as part of an avowedly anti-fascist work; the nationalist character of the song serves as a warning to the musical's characters of the rise of Nazism.
A music video for the single, filmed on location at the Kit Kat Club, was released early on Friday, Dec. 6, too. ... Cabaret at the Kit Kat Club was nominated for nine 2024 Tonys including best ...
"Cabaret" is a song recorded by American singer and songwriter Justin Timberlake for his fourth studio album, The 20/20 Experience – 2 of 2 (2013). Featuring a rap verse by Canadian rapper Drake , the song was written and produced by Timberlake, Timothy "Timbaland" Mosley , Jerome "J-Roc" Harmon and Daniel Jones, with additional writing from ...
Maybe This Time" is a song written by John Kander and Fred Ebb, popularized by Liza Minnelli in the 1972 film Cabaret. While first recorded by Kaye Ballard, [1] [2] Minnelli included the song on her debut studio album Liza! Liza! (1964), as well as her New Feelin' album (1970).
The Telegraph explained that the song should have an air of "desperate hope" and that Bowles should feel like "someone teetering on the edge of despair." [5] Talkin' Broadway said " 'Maybe this Time' serving as Sally's internal monologue in response to Cliff's plea", adding that the song "is the only time we see the real person beneath the frivolous girl for whom life is a neverending party ...
Using the opening song this way prepares us for the two different uses to which songs will be put in the show. At the very end, the Emcee briefly reprises "Willkommen", perhaps an ironic welcome to the new Germany Ernst and the Nazis are building, but the Emcee doesn't finish the final phrase; the song stops, unfinished, and he disappears. We ...