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Geoffrey Chaucer reciting before nobles. Troilus and Criseyde (/ ˈ t r ɔɪ l ə s ... k r ɪ ˈ s eɪ d ə /) is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in rime royale and probably completed ...
One of Henryson’s greatest achievements is his work The Testament of Cresseid, a critical re-writing of Chaucer’s Troilus and Criseyde. Henryson disregards Chaucer’s conclusion and creates a totally new ending where Troilus is kept alive to permit one final encounter with his lover, who has been reduced to leprosy.
"Il Filostrato" is a poem by the Italian writer Giovanni Boccaccio, and the inspiration for Geoffrey Chaucer's Troilus and Criseyde [1] and, through Chaucer, the Shakespeare play Troilus and Cressida. It is itself loosely based on Le Roman de Troie, by 12th-century poet Benoît de Sainte-Maure. Il Filostrato
The Poet Chaucer (1949; 2nd ed. 1967) The Canterbury Tales: Translated into Modern English (1952) Geoffrey Chaucer (1956) Shakespeare's Professional Skills (1964) Langland: Piers Plowman (1964) Troilus and Criseyde: Translated into Modern English (1971) Chaucer's Idea of What Is Noble (1971) Collected Papers (1988) Doctor Faustus (adaptation ...
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
He used it to point to Chaucer as a learned and a witty poet. [ 6 ] [ 7 ] Stephen Skinner in the later 17th century corrected a muddled annotation to Chaucer's line by Thomas Speght . [ 8 ] Walter William Skeat adopted the derivation of Dulcarnon from the Arabic: for which see Dhul-Qarnayn .
Diomede and Cressida, perhaps. The Testament of Cresseid is a narrative poem of 616 lines in Middle Scots, written by the 15th-century Scottish makar Robert Henryson. It is his best known poem. [1] It imagines a tragic fate for Cressida in the medieval story of Troilus and Criseyde which was left untold in Geoffrey Chaucer's version.
Frantzen has published introductory works intended for students, such as King Alfred (1986) [5] and ' Troilus and Criseyde': The Poem and the Frame (1993) on Chaucer's Troilus and Criseyde. [6] He also co-edited The Work of Work. Servitude, Slavery, and Labor in Medieval England (1994) with Douglas Moffat. [7] [8]