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The traditional Malay house require stairs to reach the elevated interior. Usually the stairs connected the land front of the house to the serambi (porch or verandah). Additional stairs might be found on back of the house. The stairs can be made of wood or brick structure covered with tiles.
The newer house, known as Rumah Limas Belanda, was added later in 1941. It was mostly used for guests and festivities. This house has a more modern Dutch hip roof, and was built through a balloon-frame construction method. The interior design is also more vibrant when compared with other traditional Malay house. [5] [6]
Architecture in Malaysia traditionally consist of malay vernacular architecture. Though modern contemporary architecture is prevalent in urban areas there are style influences from Islamic, colonial architecture, chinese straits etc. [1] New materials, such as glasses and nails, were brought in by Europeans, changing the architecture.
The gallery building is a house, which was used as the It was built in 1894 by Abdul Ghani . Generations that had lived in the house were Abdul Majid in 1831–1834, Demang Abdul Ghani in 1834-1934 and Mat Natar in 1934–1978. [8] [9] In 2008, conservation work was carried out to the building. The gallery was finally opened in February 2011.
The Pinang Peranakan Mansion (Malay: Rumah Agam Peranakan Pulau Pinang) in George Town, Penang, Malaysia, is a museum dedicated to Penang's Peranakan heritage. The museum itself is housed within a distinctive green-hued mansion at Church Street, George Town, which once served as the residence and office of a 19th-century Chinese tycoon, Chung Keng Quee.
Good lighting is important in a staircase so users see where they are going and to prevent falls. [6] There is often a window on the wall to let in daylight.In many cases, indoor stairs are placed far inside the building structure, and it is often not easy to get access to a wall on the outside where it would be natural to have a regular window for letting daylight in.
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Although the building is formally credited to A.C. Norman (only his name appears on the foundation stone as the architect) and his ground plan was kept, the actual design is to a large extent the work of R. A. J. Bidwell, with some contributions from A. B. Hubback who also designed the fixtures of the building. [1]
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