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The Guhyasamaja Tantra survives in Sanskrit manuscripts and in Tibetan and Chinese translation. The Guhyasiddhi of Padmavajra, a work associated with the Guhyasamaja tradition, prescribes acting as a Saiva guru and initiating members into Shaiva Siddhanta scriptures and mandalas. [ 3 ]
A Lamp to Illuminate the Five Stages: Teachings on Guhyasamaja Tantra. Simon and Schuster. ISBN 978-1-61429-035-3. Wallis, Glenn (2002). Mediating the Power of Buddhas: Ritual in the Mañjuśrīmūlakalpa. Buddhist Studies Series. Albany: State University of New York Press. ISBN 978-0-7914-5412-1
The Vajraśekhara Sūtra is an important Buddhist tantra used in the Vajrayāna schools of Buddhism, but can refer to a number of different works. In particular a cycle of 18 texts studied by Amoghavajra, which included both Tattvasaṃgraha Tantra, and the Guhyasamaja Tantra, a Tibetan text which appears to be composed of two works grouped together and to further confuse matters in the ...
The Guhyagarbha Tantra (Skt.; Tib. རྒྱུད་གསང་བ་སྙིང་པོ་, Gyü Sangwé Nyingpo; Wyl.rgyud gsang ba'i snying po, "The Tantra of the Secret Essence" or the "Secret Womb Tantra") is the most important Buddhist tantra of the Mahayoga class and the primary tantric text studied in the Nyingma tradition. [1]
The macrocosmic symbolism of the mandala then, also represents the forces of the human body. The explanatory tantra of the Guhyasamaja tantra, the Vajramala, states: "The body becomes a palace, the hallowed basis of all the Buddhas." [10] All ritual in Vajrayana practice can be seen as aiding in this process of visualization and identification.
Chandrakirti argues that the idea that one must use the syllogistic arguments commits one to the acceptance of inherent natures or some other form of foundationalism or essentialism. [6] [15] [10] He also points out that Nagarjuna did not make use of such arguments and relied on prāsaṅga. Chandrakirti sees figures like Bhāviveka as not ...
Different tantric cycles, like Guhyasamaja and Chakrasamvara, each contain Mahakala as an emanation of their central Buddha deity. [12] Mahākāla is almost always depicted with a crown of five skulls, which represent the transmutation of the five kleśās (negative afflictions) into the five wisdoms. He also wears a garland consisting of fifty ...
The Mahāmāyā Tantra probably first appeared within Buddhist tantric communities during the late ninth or early tenth centuries CE. Based on instances of intertextuality [note 2] it is considered to postdate the Guhyasamāja Tantra; and because it is less doctrinally and structurally developed than tantras such as the Hevajra Tantra, its origins are likely to precede that text, and it is ...