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A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Piano Concerto (Beach) Piano Concerto (Poulenc) Piano Concerto (Rimsky-Korsakov) Piano Concerto No. 3 (Ries) Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849; Prelude and Fugue in C-sharp minor, BWV 873
The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. [2] Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians ...
In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music , as its tonic is the lowest note on a standard-tuned guitar.
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
No. 3 in C-sharp minor The final mazurka of the Op. 63 set is a true kujawiak , a national polish dance slightly slower than a mazurka. Written in the key of C-sharp minor , it is songful in character with an innocent and expressive melody as the main theme.
G minor * B. 117 An arrangement for piano alone of the piano part of the song Wiosna; * 5 MS exist whose dates range from April 1838 to 1 September 1848 Barcarolle: F‑sharp major 1846 1846 Op. 60 B. 158 Berceuse: D-flat major 1844 1845 Op. 57 B. 154 Bolero: C major-A minor 1833 1834 Op. 19 B. 81 Two Bourrées G major, A major 1846 1968 B ...
The substitution of the major sixth for the perfect fifth above in the major triad and below in the minor triad results in the parallel of a given triad. In C major thence arises an apparent A minor triad (Tp, the parallel triad of the tonic, or tonic parallel), D minor triad (Sp), and E minor triad (Dp).
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