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The era of revolution in Indonesia made many Indonesian painters shift from romantic themes to tend toward "populist". Objects related to the natural beauty of Indonesia were considered a theme that betrayed the nation, because they were considered to be a curse on the capitalists who were enemies of the popular ideology of communism at that time.
A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
Mochtar Apin (23 December 1923 – 1 January 1994) was an accomplished Indonesian painter, illustrator, writer and tenured lecturer who taught fine arts at the Bandung Institute of Technology, ITB.
The Puri Lukisan Ratna Wartha Museum (Indonesian: Museum Puri Lukisan Ratna Warna) is the oldest art museum in Bali which specialize in modern traditional Balinese paintings and wood carvings. The museum is located in Ubud , Bali , Indonesia .
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
The figure of Api ("fire"), a Balinese fire demon, which has a similar form with the kayonan A gunungan from a variation of wayang kulit of Lombok, with which the story of Serat Menak Sasak is told A wayang beber at the Mangkunegaran Palace in Surakarta.
The Special Region of Yogyakarta [c] is a province-level special region of Indonesia in southern Java. [11] It is a semi-enclave that is surrounded by on the landward side by Central Java Province to the west, north, and east, but has a long coastline on the Indian Ocean to the south.
In 1932, he moved to Jakarta, Indonesia. The tension between nationalist groups such as Persagi (Persatuan Ahli-ahli Gambar Indonesia, or Association of Indonesian Draughtsmans) and Indische-Holland kunstkring community stimulated him. In 1942, Man Fong was jailed because of his opposition to Japanese colonialism in Indonesia.