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Richard Christiansen (August 1, 1931 – January 28, 2022) was an American theatre and film critic, who was "the chief theatre reviewer of the Chicago Tribune" from 1978 to 2002 and the "leading critical voice in Chicago theatre for more than three decades". [1]
The play had its world premiere at the American Theater Company in Chicago, Illinois, in November 2014, directed by PJ Paparelli. Chris Jones, in his review for the Chicago Tribune, wrote: "kind, warm, beautifully observed and deeply moving new play, a celebration of working-class familial imperfection and affection and a game-changing work for this gifted young playwright."
Jones has appeared on the news broadcast of CBS-2 Chicago as a weekly theater critic. [3] In 2018, Jones was additionally named Broadway theater critic for the newly acquired Tribune related publication, the New York Daily News. In 2021 he was named Editorial Page Editor of the Tribune, [4] while he continues to review theater both in Chicago ...
And more importantly, what does it mean for Carmy and his crew?
“Twisters” does its job well enough. It’s a tornado parade with a few ethical dilemmas and, as an avian nod to the flying bovines of the 1996 hit “Twister,” it gives a cameo role to a ...
Eugene Kal Siskel (January 26, 1946 – February 20, 1999) was an American film critic and journalist for the Chicago Tribune who co-hosted a movie review television series alongside colleague Roger Ebert. [1] Siskel started writing for the Chicago Tribune in 1969, becoming its film critic soon after.
She was a long-time critic for the Chicago Tribune. Starting her career in 1925, she was at first a music and drama critic for The Journal of Commerce in Chicago before moving to the Tribune. [1] She was so well known for giving caustic reviews to what she considered bad performances that she earned the nickname "Acidy Cassidy."
The musical Chicago is based on a play of the same name by reporter and playwright Maurine Dallas Watkins, who was assigned to cover the 1924 trials of accused murderers Beulah Annan and Belva Gaertner for the Chicago Tribune. In the early 1920s, Chicago's press and public became riveted by the subject of homicides committed by women.