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Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures, mattes, or the Schüfftan process or in post-production using an optical printer. An optical effect might place actors or sets against a different background.
The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.
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As digital video editing advanced, visual effects became possible, and is part of the standard toolkit, usually found in prosumer and professional grade software. A common ability is to do compositing techniques such as chroma keying or luma keying, among others, which allow different objects to look as if they are in the same scene. [3]
Ansel Adams wrote about visualization in photography, defining it as "the ability to anticipate a finished image before making the exposure.” [2] The term previsualization has been attributed to Minor White, who divided visualization into previsualization, what occurs while studying the subject, and postvisualization, how the visualized image is rendered at printing.
Microsoft Photo Story creates videos with both random and customisable Ken Burns Effects automatically from selected images. ProShow Gold/Producer from Photodex and PhotoFilmStrip (free applications) also come with this effect. On the Mac platform, programs such as Final Cut Pro, Final Cut Express, iMovie, Adobe Premiere also have the ability.
Blur Studio was founded in March 1995 [3] by David Stinnett, Tim Miller, and Cat Chapman. [4] Blur produced Xbox demo video Two to Tango for console's mascots Raven and Robot. [5] [6] [7] Sometime between 2001 and 2003, the studio took interest in The Lego Group's Bionicle theme and produced a short test pitch, under the title "Tahu Nuva vs Kohrak", but Lego had ultimately passed on the project.
Digital effects; Compositing; The VFX creative director may delegate responsibilities to visual effects supervisors, visual effects editors, film compositors, rotoscope artists, matte painters, and 3D animators. VFX creative directors may therefore have input on various aspects of production, including: Story development and storyboarding