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Free was born in Thame in Oxfordshire [7] [8] where he attended Lord Williams's School. [9]In 2006, he joined Green Door Films, the first production house in Europe to use Phantom digital high-speed cameras as a source of slow motion, working as a data technician and camera operator.
Life in Slow Motion debuted at No. 1 on the Irish Albums Chart, staying for three weeks at the top before dropping to No. 4.In the United Kingdom a week after release in Ireland, it debuted also at No. 1 on the UK Albums Chart, spending two weeks at No. 1 before dropping to #3; it spent seven weeks in the top 10 and 25 weeks in the top 75.
Gray recorded the album, his first set of new songs since 2005's Life in Slow Motion, in his own studio—The Church Studios—while unsigned to a record label. [11] The studio previously belonged to the Eurythmics, and when Gray invited Annie Lennox to guest-record the duet "Full Steam," she reprimanded him for not changing the carpets.
In the age of streaming media, live current events can be accessed by the final viewer with multiple streams of the same content playing concurrently in different windows or on various devices, often with direct end-user control over rewinding to a past moment, as well as an ability to select accelerated, slow-motion or stop-action replay speed.
It was released on 29 August 2005 as the first single from his seventh studio album, Life in Slow Motion (2005). The song was produced by Marius de Vries and is Gray's second-highest achievement on the UK Singles Chart, peaking at number eight. Worldwide, the song reached number six in Ireland and number 31 in New Zealand.
Two videos were produced to accompany the song. Version one was released in 2000 and directed by Kieran Evans. It features David Gray singing directly into the camera as it pans from right to left across a number of scenes throughout the city of London at nighttime.
"Alibi" is a song by David Gray. It was released as the third and final single from his seventh studio album, Life in Slow Motion (2005). The single coincided with the release of his Live in Slow Motion DVD, filmed live at the Hammersmith Apollo on 13 December 2005.
The American director Paul Schrader wrote about slow cinema in his 1972 book Transcendental Style in Film: Ozu, Bresson, Dreyer, and called it an aesthetic tool. He argues that most viewers find slow cinema boring, [24] but that a "slow film director keeps his viewer on the hook, thinking there's a reward, a payoff just around the corner." [24]
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