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A similarly positive view of fantasy was taken by Sigmund Freud who considered fantasy (German: Fantasie) a defence mechanism. He considered that men and women "cannot subsist on the scanty satisfaction which they can extort from reality. 'We simply cannot do without auxiliary constructions,' as Theodor Fontane once said ...
Fantasyland: How America Went Haywire; A 500-Year History is an American non-fiction book written by Kurt Andersen and published in 2017. Fantasyland debuted on the New York Times bestseller list at number 3 [1] and at number 5 on the Washington Post and Publishers Weekly bestseller lists (hardcover non-fiction).
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]
Fantasy-prone personality (FPP) is a disposition or personality trait in which a person experiences a lifelong, extensive, and deep involvement in fantasy. [1] This disposition is an attempt, at least in part, to better describe "overactive imagination " or "living in a dream world ". [ 2 ]
Parataxic distortion is a psychiatric term first used by Harry S. Sullivan to describe the inclination to skew perceptions of others based on fantasy. The "distortion" is a faulty perception of others, based not on actual experience with the other individual, but on a projected fantasy personality attributed to the individual. For example, when ...
Reality and Fantasy is the second studio album by Italian jazz singer Raphael Gualazzi, composed, produced and arranged by Gualazzi himself, [2] it was released in Italy on February 16, 2011 on Sugar Music.
A sexual fantasy is exactly what it sounds like—a mental image or dreamed-up situation that turns you on. Some might be acted out, while others may solely be for your own imaginative safe ...
In the first definitive book on defence mechanisms, The Ego and the Mechanisms of Defence (1936), [7] Anna Freud enumerated the ten defence mechanisms that appear in the works of her father, Sigmund Freud: repression, regression, reaction formation, isolation, undoing, projection, introjection, turning against one's own person, reversal into the opposite, and sublimation or displacement.