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As a demo, "No Matter What" was originally recorded at a slower tempo by Ham on acoustic guitar (as heard on the posthumous Ham solo CD 7 Park Avenue).A group demo version, played at the same tempo as Ham's acoustic demo, was recorded by Badfinger on 18 April 1970 [6] with Mal Evans producing.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," [2] a song based on music used in an Alka-Seltzer television commercial. When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were not ...
"No Matter What" was written by Andrew Lloyd Webber and Jim Steinman for the 1996 musical Whistle Down the Wind, to be sung by a group of children at the end of Act 1. [3] In the musical, the song is about the naive adoration by the children towards someone they believe to be Jesus, however, for the version recorded by Boyzone, the lyrics have been modified significantly to become a teenage ...
A music video for the single "No Matter What" was released on July 27, 2018. [9] The visual features Stevenson performing the track in a dark room [ 10 ] [ 11 ] Track listing
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...