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Face to Face is a photograph of Canadian Army soldier Patrick Cloutier and Ojibwe activist Brad Larocque staring each other down during the Oka Crisis. It was taken on September 1, 1990, by Shaney Komulainen, and has become one of Canada's most famous images.
Shadi Ghadirian (born 1974), portraits of women dressed in traditional style, often juxtaposed with modern anomalies such as a mountain bike or cola can, now increasingly exhibited in the west; Hengameh Golestan (born 1952), pioneering woman photographer; Sooreh Hera (born 1973), artist and photographer
Ladies' Home Journal featured a series of articles, "The Foremost Women Photographers in America", edited by Frances Benjamin Johnston and including Gertrude Käsebier (May), Mathilde Weil (June), The Allen Sisters (July), Emma J. Farnsworth (August), Eva Watson-Schütze (October), Zaida Ben-Yusuf (November), and Elizabeth Brownell (January 1902).
A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer , who, because of her appearance, despises everyone she encounters.
Joanne Leonard (born 1940), photography of Oakland, Ca, autobiographical and family, and collage beinginpictures.com; Zoe Leonard (born 1961), photography of New York City, photos of the fictional Fae Richards for the film The Watermelon Woman; Rebecca Lepkoff (1916–2014), street scenes on the Lower East Side of Manhattan in the 1940s
Bettina Rheims (born 1952), strip-tease artists and acrobats, stuffed animals, also advertising, and photography of nude women making her a best-seller; Sophie Ristelhueber (born 1949), who has photographed the effects of war on landscape; Emmanuelle Riva (1927–2017), primarily an actor but also a noted and published photographer
Petra Collins (born December 21, 1992) [1] is a Canadian artist, director of photography, fashion model and actress who rose to prominence in the early 2010s. Her photography is characterized by a feminine, dreamlike feel, informed in part by a female gaze approach. [2]
Lisa Larsen (1925–1959), pioneering woman photojournalist; Erna Lendvai-Dircksen (1883–1962), photographer of rural individuals, collected in books that sold well in the Nazi period; Esther Levine (born 1970), urban and street photography; Alice Lex-Nerlinger (1893–1975), artist in the media of painting, photography, photomontage and ...