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The Great Wave off Kanagawa is also the subject of the 93rd episode of the BBC Radio series A History of the World in 100 Objects produced in collaboration with the British Museum, which was released on 4 September 2010. [86] A replica of The Great Wave off Kanagawa was created for a documentary film about Hokusai released by the British Museum ...
Hokusai also changed the subjects of his works, moving away from the images of courtesans and actors that were the traditional subjects of ukiyo-e. Instead, his work became focused on landscapes and images of the daily life of Japanese people from a variety of social levels. This change of subject was a breakthrough in ukiyo-e and in Hokusai's ...
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
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Hokusai's The Great Wave off Kanagawa, from his seminal work 36 Views of Mount Fuji, is one of the most iconic representations of the Japanese style of art known as ukiyo-e. The scene is of a great wave (often mistaken for a tsunami) about to devour the men and boats, with the distant Mount Fuji minimized by the size of the wave.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
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Japanese woodcut print depicting an infantry charge in the Russo-Japanese War. Banzai charge or Banzai attack (Japanese: バンザイ突撃 or 万歳突撃, romanized: banzai totsugeki) is the term that was used by the Allied forces of World War II to refer to Japanese human wave attacks and swarming staged by infantry units.
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