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Fout, John C. German Women in the Nineteenth Century: A Social History (1984) online; Heal, Bridget. The Cult of the Virgin Mary in Early Modern Germany: Protestant and Catholic Piety, 1500–1648 (2007) Joeres, Ruth-Ellen B., and Mary Jo Maynes. German Women in the 18th and 19th Centuries (1985). Kaplan, Marion A.
The name was first used in the mid-nineteenth century by the Marquis de Vibraye, who discovered an ivory figurine and named it La Vénus impudique or Venus Impudica ("immodest Venus"). [10] The Marquis then contrasted the ivory figurine to the Aphrodite Of Knidos, a Greco-Roman sculpture depicting Venus covering her naked body with both her ...
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Veruschka inspired the most prestigious photographers of her time, like Franco Rubartelli, Richard Avedon, Bert Stern, David Bailey, Steven Meisel, Francesco Scavullo, and Peter Beard, who took her to Kenya and for big designers like Tom Ford, Michael Kors, Dolce & Gabbana and Ailanto. Veruschka was a pioneer of body painting. In 1966 she ...
Daniel Prenn (1904–1991), German-Polish-British tennis player, highest world ranking # 6; Birgit Prinz (born 1977), football player; Lina Radke (1903–1983), athlete; Teodor Regedziński (also known as Theodor Reger) (1894–1954), Polish chess master of German origin; father's name was Reger; Otto Rehhagel (born 1938), football player and ...
Female body shape or female figure is the cumulative product of a woman's bone structure along with the distribution of muscle and fat on the body. Female figures are typically narrower at the waist than at the bust and hips. The bust, waist, and hips are called inflection points, and the ratios of their circumferences are used to define basic ...
Women in Nazi Germany (Pearson Education, 2001). Stibbe, Matthew. Women in the Third Reich (Arnold, 2003), Wildenthal, Lora. German Women for Empire, 1884–1945 (Duke University Press, 2001) Wunder, Heide, and Thomas J. Dunlap, eds. He is the sun, she is the moon: women in early modern Germany (Harvard University Press, 1998).
In the hard economic times following the First World War, the dirndl became a big-seller; as a simple summer dress, it was an affordable alternative to the often expensive and elaborately worked historic women's costumes. [60] Between 1920 and 1926, the Wallach brothers operated the Münchner Volkskunsthaus ("Munich house of folk art").