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Portrait of a Man is an oil painting by the Italian Renaissance artist Antonello da Messina, dated to c. 1475–76, and now in the National Gallery, London. It was printed on the Italian 5,000 lire note issued from 1979 to 1983.
Equestrian Portrait of Charles V (also Emperor Charles V on Horseback or Charles V at Mühlberg) is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the imperial court of Augsburg , it is a tribute to Charles V, Holy Roman Emperor , following his victory in the ...
The horse and the rider are painted in a different perspective than the pedestal. The horse (differently from the species' walking pattern) is portrayed while raising both left legs. It is a large and massive animal, inspired by the head of the ancient Riccardi Horse and to Donatello 's Equestrian statue of Gattamelata , a prototype of ...
Portraits in the Renaissance era didn’t just hang on walls, but were often concealed behind painted panels, shutters, or contained in boxes. “Hidden Faces” at the Metropolitan Museum of Art ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...
Portrait of a Man is an oil painting of c. 1476 in the National Gallery, London. It was reproduced on the Italian 5,000 lire note issued from 1979 to 1983. The work portrays an unknown man, whose garments belonged to the "middle-upper class" of the time. He wears a leather blouse, under which a white shirt is visible, and a red cloth beret.
An Old Man and his Grandson (Italian: Ritratto di vecchio con nipote) is a ca. 1490 tempera painting by the Italian Renaissance artist Domenico Ghirlandaio. One of Ghirlandaio's best-known works, it is considered notable for its emotional poignancy. Its realism has been described as unique among the portraits of the Quattrocento. [1]
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