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This short summary would generally go in the lead of the article. Now that we have that, the next step is to figure out what the parts of that claim are that we're going to have to explain. There are three major ones—there's a young girl, a dangerous wolf, and an encounter. We're going to have to explain what all of those are.
A plot summary should be written in the narrative present tense. A summary for a full-length novel should be between 400 and 700 words. When a plot summary exceeds 700 words, look for things that can be trimmed without losing anything important. Very occasionally, there may be exceptional reasons that warrant a longer summary.
Wikipedia's style guidelines determine how we write about fictional works here on Wikipedia; they do not restrict how others write about fictional works. Plot summaries necessarily involve selecting which elements of a fictional work are important enough to include in the summary and are thus secondary, rather than primary, sources.
Occasionally, you'll find excessively detailed plot summaries that overwhelm readers with a summary of every scene. In this case, it's frequently best to rewrite the plot summary from scratch. If you come upon a plot summary of around 800 to 900 words, it's frequently possible to streamline it such that you lose no significant information.
For example, a summary of Citizen Kane should establish that much of the film is an extended flashback that is bookended by scenes in the film's present; the entire plot summary should still be written in narrative present tense. Summaries may depart from the fiction's chronological order if doing so enhances clarity or brevity.
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The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
She gives examples from literature of point-of-view variations. First person and third person are discussed, and even an example of writing fiction in second person is given. Chapter Six: Character; Using examples from the works of Heinrich von Kleist and Jane Austen, Prose discusses how writers can develop characterization. She mentions that ...
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