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The Seasons, Op. 37a [1] (also seen as Op. 37b; Russian: Времена года; published with the French title Les Saisons), is a suite of twelve short character pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky. Each piece is the characteristic of a different month of the year in Russia.
The second movement is a melancholy Andante which lends itself to Tchaikovsky's natural gift for lyricism. It is considerably longer than the two movements that follow it. The third movement is a brief, fast-paced Scherzo, and foreshadows some of the techniques later used by Sergei Rachmaninoff and Alexander Scriabin , mainly in its melodic ...
[2] Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868) Op. 4 Valse-caprice in D major, for piano (1868) Op. 5 Romance in F minor, for piano (1868) Op. 6 6 Romances (1869), including "None but the lonely heart"
Edvard Grieg – Ballade in the Form of Variations on a Norwegian Folk Song (for piano), Op. 24; Édouard Lalo – Cello Concerto; Gustav Mahler – Piano Quartet movement in A; Bedřich Smetana – String Quartet No. 1 in E minor, From My Life; Pyotr Ilyich Tchaikovsky – The Seasons (for piano), Op. 37a; Charles-Marie Widor – Organ ...
Chromatic mediant from Tchaikovsky's Chant sans paroles, Op. 2, No. 3, mm. 43-45 Play ⓘ. Note ♭ VI in root position and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. [2] Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major
The Piano Sonata in C-sharp minor, Op. posth. 80, was written by Russian composer Pyotr Ilyich Tchaikovsky in 1865, his last year as a student at the St Petersburg Conservatory. The sonata in its original form was not published in Tchaikovsky's lifetime; it was published in 1900 by P. Jurgenson, and given the posthumous opus number 80. [1]
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [ 8 ] [ 22 ] [ 23 ] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [ 9 ]
arrangement from The Seasons, Op. 37a, by Tchaikovsky: Chamber music: 1993: 枯葉: Les Feuilles mortes (Autumn Leaves) for 2 violins, viola and cello: arrangement of the song by Joseph Kosma: Chamber music: 1994: 鳥が道に降りてきた: A Bird Came down the Walk: for viola and piano: Chamber music: 1994: 径 – ヴィトルド ...