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The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
They have two albums, The Kinks Are the Village Green Preservation Society (No. 384) [185] and Something Else by the Kinks (No. 478), [186] on Rolling Stone magazine's 2020 500 Greatest Albums of All Time list. They have three songs on the same magazine's 500 Greatest Songs of All Time list as updated in September 2021: "Waterloo Sunset" (No ...
It should only contain pages that are The Kinks songs or lists of The Kinks songs, as well as subcategories containing those things (themselves set categories). Topics about The Kinks songs in general should be placed in relevant topic categories .
By the end of 1965, the Kinks had written more than 50 songs in two years, and it’s dizzying to consider that the early albums could have been even greater if so much of the best material hadn ...
The track has since become one of the Kinks' most popular songs and was ranked number 386 on Rolling Stone ' s 2021 edition of its "The 500 Greatest Songs of All Time" list. [9] "Lola" was also ranked number 473 on NME's own "The 500 Greatest Songs of All Time" list. [10] Since its release, "Lola" has appeared on multiple compilation and live ...
"Come Dancing" is a tribute to Davies' older sister Rene. Living in Canada with her reportedly abusive husband, the 31-year-old Rene was visiting her childhood home in Fortis Green in London at the time of Ray Davies' 13th birthday—21 June 1957—on which she surprised him with a gift of the Spanish guitar he had tried to persuade his parents to buy him. [3]
The track borrows the main riff from The Kinks' 1964 song, "All Day and All of the Night", which was one of the band's first hits. [2] The lyrics feature the return of the transvestite title character from The Kinks' 1970 hit song, "Lola"; in "Destroyer", the singer brings Lola to his place where he becomes increasingly paranoid. [3]
Billboard praised the single's "off-beat music hall melody and up-to-date lyrics." [16] Cash Box said that it is a "slow-moving, blues-drenched, seasonal affair with a catchy, low-key repeating riff." [17] "Sunny Afternoon" was placed at No. 200 on Pitchfork Media's list of The 200 Greatest Songs of the 1960s. [18]