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Clague, Julie. "Divine Transgressions: The Female Christ-form in Art." Critical Quarterly 47 (2005): 47–63. Dyke, Doris Jean. "Crucified Woman: Art and the Experience of Faith." Toronto Journal of Theology 5 (Fall 1989): 161–169. Dyke, Doris Jean. Crucified Woman. Toronto: United Church Publishing House, 1991. ISBN 0-919000-68-1; Elliott ...
The earliest crucifixion in an illuminated manuscript, from the Syriac Rabbula Gospels, 586 CE. Early depictions showed a living Christ, and tended to minimize the appearance of suffering, so as to draw attention to the positive message of resurrection and faith, rather than to the physical realities of execution.
Crucifixion is a method of capital punishment in which the condemned is tied or nailed to a large wooden cross, beam or stake and left to hang until eventual death. [1] [2] It was used as a punishment by the Persians, Carthaginians, and Romans, [1] among others. Crucifixion has been used in some countries as recently as the 21st century. [3]
Male_Masturbation_with_Ejaculation_Video.webm (WebM audio/video file, VP8/Vorbis, length 1 min 15 s, 720 × 480 pixels, 851 kbps overall, file size: 7.6 MB) This is a file from the Wikimedia Commons .
Guests view a sculpture by artist Al Farrow that depicts a Christ-like figure crucified to a fighter jet. Farrow criticizes how religion is used to justify war in his artwork.
Women at the cross: Matthew 27:55–56 many women ... who had followed Jesus from Galilee, ministering to him, among whom were Mary Magdalene and Mary the mother of James and Joseph and the mother of the sons of Zebedee Mark 15:40 women ... among whom were Mary Magdalene, and Mary the mother of James the younger and of Joses, and Salome Luke 23:49
In another video, Maisley tells the story of Jesus and the “beggard.” “OK friends, we’re gonna talk about the beggard. ‘And Jesus said, ‘Boy, please, get a job,’” Maisley says to ...
The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffiti scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]