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Although classified as country rock, the tune uses licks based on old-time fiddle playing and rock guitar riffs. Unlike most old-time playing, the instrument ranges high up the neck, exploiting both the legendary association of the fiddle as "the devil's instrument" and the intensity of rapid sixteenth or thirty-second notes.
The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues. [5]
Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done ...
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
Rock violin is rock music that includes violin in its instrumental lineup. This includes rock music only and does not include classical style music using melodic motifs from rock. Rock music and rock and roll bands typically use electric guitar for the high range, and thus deploy violin only exceptionally.
Allen was born in Houston, Texas but his family moved to Franklin, a farming and ranching community in central Texas, just before he started school.Allen exhibited musical talent at an early age, picking out melodies on the mandolin when he was five years old and playing the fiddle on a local radio program in nearby College Station shortly thereafter.
On the bowed instruments, the violin and the viola in particular, the trill is relatively easy to execute, with a straightforward bowing and the trill involving the oscillation of just one finger against the main note which is stopped by the finger behind, or more rarely, the open string.
In The Guardian review of Songs for the Deaf, Dave Simpson said " 'No One Knows' has killer riffs to spare". [9] Playlouder were similarly enthused, calling the song "soulful, like the last gasp of the hero in an old western". [10] Eric Carr of Pitchfork Media called it an "easy groove" and "four-to-the-floor slime of the highest quality". [11]
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