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This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
"Guy Hart ran Gibson from 1924-1948 -- the most important period in the company history since the debut of Gibson instruments at the turn of the century and, moreover, the period of greatest innovation for the guitar since the emergence of the six-string guitar in the late 1700s. As the guitar rose to prominence, so did Gibson.
The SG Standard features pearloid trapezoid fretboard inlays, as well as fretboard binding and inlaid pearl "Gibson" logo and crown; the mid-level SG Special features pearloid dot inlays and an inlaid pearl "Gibson" logo, without a crown. The Standard has a volume and a tone control for each individual pickup, and a three-way switch that allows ...
The Paul Standard had a single sharp cutaway Les Paul-style walnut body, [2] set walnut neck, 22-fret ebony fingerboard with pearl dot inlays, walnut headstock with gold Gibson logo (1978–1981), three-per-side tuners, Tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, some models had "T" top pickups, four knobs (two volume ...
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
A single sharp cutaway Les Paul-style walnut body, set walnut neck, pearl dot inlays, walnut headstock overlay with gold Gibson logo (1978–1981) or Gibson logo branded into the headstock (Firebrand, 1981–1982). Hardware included three-per-side tuners, stop tailpiece, two exposed humbucker pickups, four knobs (two volume, two tone), three ...
However, small numbers of Gibson banjos continued to be constructed and shipped during the war years using stocks of metal parts remaining in factory bins. Production of metal banjo parts resumed in late 1946; however, it is commonly believed that the metal composition of foundry products delivered to Gibson after World War II was inferior to ...
Gibson had also received complaints from Fender that the Firebird headstock mirrored the Stratocaster and that the body violated Fender's design patents, with Fender threatening a lawsuit. The "non-reverse" body is a more standard double-cutaway design, with the bass horn being longer than the treble horn and the headstock having the tuners ...